![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKfz0DCOyUDYeCH_RG6et7i8nKLrFHGCTYjkzxUEFSVYHVyXqfQcpOgoFVhFLtKMSe6F_fJxQVyniFF5JVA3sprppXsIX_tthqGd60Xx_etcRln4qV0cT63ERqm0M5pGLnmoIV0yPLCKU/s400/Day+038+Resolving+large+leaves.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEita95wbiCab7JtUH4-iJhsgaxJqxMH328notXwVY4PQfWYPskb7binvQTk8UxnEb7C53HeJj06whKQfT1CT30jjELq-qR5Ek9y4dbx99BYOhMGKW5TXzhpLzFlITFQE_1xVOpS4y_G7c8/s400/Day+038+Resolving+large+leaves+2.jpg)
The large leaf motif is one that I have not hooked in my study pieces so this was new territory. I hooked the two shown first. I added two different wools around the veins just to break up the area. The fill area of the leaf was so large. I did not like either solution.
Next I hooked the veins with the vein color only, no secondary color. The vein was a bit harsh. Then I decided to try just the lighter value. This is the same wool that I am using to fill the scrolls. I like this a lot better. The dark that I tried initially was too dark on its own, but I like the look of two different values together. This is something that I might not have thought about if I had ripped out the dark when I decided I did not like it alone. My personal rule is to not rip out until I need the spot to hook. You need to see what does not work in order to find what does work.
When I hook the next leaf, I will try the light vein with another wool. When I find something I like, then I need to decide if I want them all the same. Probably not. I will need to find a few solutions that work.
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